WHAT WE DID IN November 2009

Public Viewings


Mnemonics of the Self and Social Space in the film works of 7 Chinese artists

Screening program and public presentation


SUN Xun
Requiem
video animation
2007

November 13, 2009
Salon of MoCAb – Museum of Contemporary Art Belgrade
in collaboration ::  Jelena VESIC

November 18, 2009
Galeria Nova | Zagreb, CR
support :: WHW Collective

artists ::  CHEN Xiaoyun (1971, lives and works in Hangzhou), GAO Shiqiang (1971, lives and works in Hangzhou), LU Chunsheng (1968, Shanghai), QIU Anxiong (1972, Sichuan province; lives and works in Shanghai), SHI Qing (1969, Inner Mongolia; lives and works in Beijing), SUN Xun (1980, Fuxin; lives and works in Beijing), ZHANG Ding (1980, Gansu; lives and works in Shanghai)

Much of the literature compiled around the popularity of Chinese contemporary art is generally concerned with its commitment to an aesthetic modernization process that satisfies international exhibitions’ agenda by translating the social and economic implications of an increasingly globalized country into the critical achievements sustained by its creative miracle. While such form of discourse is motivated by transformative notions of urban growth, social development, economic differentiation, and is largely interpreted via a secular portraiture of changing credos and mentalities, not much of it seems to engage with the less manifest phenomena informing the shifting nature of private and public spatiality as culturally and subjectively constructed processes.

In recasting attention to the processes of spatial voyage and memory formation through the filmic experiments of these artists – be those documentary evidence, fictive journey or personal diary — subtle commentaries of self-disclosure reappear into a totally new feature of change which no longer inhabits the vestiges of the past – its symbols, iconographies and idols, but sits on the ruins of the present by eliciting mental, psychological and spatial associations of contemporary ‘inner landscapes’ . By articulating intimate writings into the architectural peripatetics of moving pictures, these artists’ works make use of an elliptic emphasis on subjectivity, mnemonics and imaging, so that the viewing product comes into being as a space of collective recollection where social fundaments and behavioural schema are readjusted into the artists’ contemplation of interpersonal dependencies and historical loci.

Public Viewings thus represents an attempt to elucidate theoretically and aesthetically on the changing psyche and processes of identity formation in contemporary China through their aesthetic re-enactment in cinematic space. In the wake of critical historical changes defined by forms of transcultural regionalism and denationalization in place in the Asian continent, a dive into the representational apparatus of the Self in the reality of globalizing China is a necessary exercise for anyone interested in venturing inside a yet un-coded domain of public culture where networked societies and a-political subjectivities are shaping new sociological mainstays.


Emporium


A New Common Sense of Space

November 4 – December 8, 2009
Museo della Scienza e Tecnologia Leonardo da Vinci | Milano, IT



curator :: Beatrice LEANZA
exhibition design & graphic project :: studio dotdotdot, Milano
catalogue design :: LI Naihan

artists :: AHN Doojin, Ahn Kanghyun, AN Jungju, BAE Young Whan, BIRDHEAD (SONG Tao & JI Weiyu), GAO Shiqiang, HASHIMOTO Satoshi, Elaine W. HO for HOMESHOP, JUNG Yeondoo, Kim GISOO , KIM Sangdon, LEE Wooyeon, LI Naihan, Liang Shuo, MATSUBARA Megumi, MIN Ji Ae, NI Haifeng/Arrow Factory, NIWA Yotaro, QIU Xiaofei, Siren EUN Young Jung, TANAKA Koki, MICHIKAZU Matsune/The SHOP, XIJING MEN (GIM Hongsok, CHEN Shaoxiong & OZAWA Tsuyoshi), YAN Jun, YANG Jun, KIMURA Yuki, KIMURA Taiyo.

Presented for the first time in Milan, the exhibition features the works of 27 artists from China, Japan and South Korea. The project sets forth an investigation of multidisciplinary artistic practices which implicate new formal and conceptual relationships with the space of the contemporary and the habitat of the everyday, by introducing a heterogeneous group of artists, art collectives and independently-run art spaces with backgrounds in art, design, sound and architecture.
The projects included in this exhibition manifest an intrinsic connection with the spatial and social conventions of their original contexts, and intend to provide an understanding of the way younger generations are formulating new ways to deal with the space of art and social action by assuming a position of open, dynamic marginality. The tentative, incomplete quality of these, for the large part, installation-based works (featuring photography, video, drawing, architectural interventions, publications, performances, sculpture) comes into being as a product of intimate negotiation and continuous readjustment with the immediate environment and its social implications by forging aesthetic assemblages that subtend re-invented symbolisms and meanings for the contemporary.

The aesthetic order framed within this exhibition inhabits the episodic nature of reality by reconnecting to its fragmented, scattered, precarious objects via subtle strategies of self-design, where fragile materials of everyday use and familiar forms are reassembled into new spatial relationships.

The abandoned, discarded and cheap materials which are often employed in these works are recollected and brought into new relations of force, so to expand the field of vision beyond their contingent materiality. In this sense the relationship kindled between the viewer and the work is ever reformulated onto an ambiguous, non-deterministic territory, where consciousness and recognition are negated a manifest environment and rather accommodated in an unstable, non-representational space enforced by a rhetoric of the unexpressed.

The show included opening performances and new site specific installations by five artists.

promoted by :: Regione Lombardia
with the support of :: BMP Sas (Milano), The Nomura Cultural Foundation (Tokyo), Unione del Commercio, del Turismo, dei Servizi e delle Professioni della Provincia di Milano.
technical Sponsor :: Hantarex, Electronic Systems, Milano
supported by :: Consulate General of the People’s Republic of China in Milano, The General Consulate of Japan in Milano, The General Consulate of the Republic of Korea

Emporium was selected for best exhibition design in ADI – Design Index 2010 as finalist for the Compasso D’Oro Award.


Emporium


Emporium:  A New Common Sense of Space

November 4 – December 8, 2009
Museo della Scienza e Tecnologia Leonardo da Vinci | Milano, IT




curation :: Beatrice LEANZA
exhibition design and graphic project :: studio dotdotdot, Milan
catalogue design :: LI Naihan

artists ::  AHN Doojin, AHN Kanghyun, AN Jungju, BAE Young Whan, BIRDHEAD (SONG Tao & JI Weiyu), GAO Shiqiang, HASHIMOTO Satoshi, Elaine W. HO for HomeShop, JUNG Yeondoo, KIM Gisoo , KIM Sangdon, LEE Wooyeon, LI Naihan, LIANG Shuo, MATSUBARA Megumi, MIN Ji Ae, NI Haifeng for ARROW FACTORY, NIWA Yotaro, QIU Xiaofei, Siren Eun Young JUNG, TANAKA Koki, MICHIKAZU Matsune for THE SHOP, XIJING MEN (GIMhongsok, CHEN Shaoxiong & OZAWA Tsuyoshi), YAN Jun, YANG Jun, KIMURA Yuki, KIMURA Taiyo

Emporium: A New Common Sense of Space exhibition catalogue, full color images and curatorial essay by Beatrice LEANZA. Customized lettertype for mail visual. Digital invitation and posters.

Selected for best exhibition design in ADI – Design Index 2010 as finalist for the Compasso D’Oro Award.